Re-Release Tuesdays “Roxanne’s Revenge”

I posted this one for the hell of it. One part of the origins of the female emcee in Hip-Hop, and the queen of diss records.  The 80’s ya’ll! This week’s Re-Release is Roxanne Shante’ “Roxanne’s Revenge“.

Roxanne Shanté (born Lolita Gooden) was walking outside a New York housing project called Queensbridge when she heard three men talking about how the trio U.T.F.O. had canceled their appearance at a show they were promoting. Gooden offered to make a rap record that would get back at U.T.F.O., who’d previously recorded “Roxanne, Roxanne,” a song about a woman too stuck up to notice them. The three — Tyrone Williams, disc jockey Mister Magic, and producer Marley Marl — took her up on the idea, with Marl producing “Roxanne’s Revenge.” The song was confrontational, sneering, boastful, and even borderline obscene, and it spawned 102 additional answer records. Eventually U.T.F.O. threatened to sue Shanté for using their B-side as the musical foundation. She settled with them and recut the song with a different, though related, track. Shanté‘s fortunes were thin shortly after the heyday of “Roxanne, Roxanne,” though she did share a number one R&B and a Top Ten pop hit with Rick James in 1986, “Loosey’s Rap.”” – Allmusic.com

Re-Release Tuesdays “All I See”

This is just a nostalgic post. He was nice on the mic and this commercial single was hot at the time.  Not sure what happened but he kind of fell off the edge of the world after his second album.  Yes, he had one of those.  This week’s Re-Release is A+ “All I See“.

“A little kid with a lot to say, A+ seems very mature for his age. He isn’t exactly talking about school dances and his grades on this album, even if his name is A+. You’d think he was 25 if it wasn’t for his voice and his photo on the cover of the album. Not the only one tooting his horn, industry veterans likeMobb Deep and Q-Tip show up for appearances, and — particularly on the Mobb Deep track — A+delivers a few memorable verses to complement Prodigy‘s always present microphone dominance. Not the longest album in the world at just 13 tracks, it leaves you wondering why they didn’t fill it up with a few more songs. But all in all, this is a good album; it will be interesting to see if A+ will truly develop into the prodigy he seems to be.” – Allmusic.com

Re-Release Tuesdays “Soul Survivor”(Late Edition)

I wasn’t the biggest Jeezy fan when he made his debut.  I couldn’t front though, I liked this single big time.  I was almost mad at myself for liking it at the time. Ah, the debates I had back then.  All in all, it was a solid single and watching it now brings back good memories.  This week’s Re-Release is Young Jeezy’s “Soul Survivor“.

“A sequence of events juggled the release dates for Boyz N da Hood‘s first album (issued on Bad Boy) and Young Jeezy‘s own widely distributed breakout (issued on Def Jam). Boyz N da Hood hit the Top Five the week it was released, and Young Jeezy — the group’s most visible member — wound up releasing Let’s Get It: Thug Motivation 101 only a month later. His prominence has come hard and fast (and not without a fair share of controversy), but in truth, he has been active in the underground since the mid-’90s. More a businessman than a traditional MC, his boasts are either deliberately pronounced or mush-mouthed and are often stamped with a druggy “Aaaayy!” Far from the South’s best MC, he nonetheless makes up for it with his storytelling ability and obvious desire to inspire hard work, even if the “million dollar dreams” are followed by “federal nightmares…” – Allmusic.com

Re-Release Tuesdays “Heal Yourself”

In a time of need, we used to come together to make a statement. Using our popularity and fame to bring awareness to issues that affected our community.  In other words, it didn’t begin and end with songs like Self-Destruction.  Here’s a song that I dug back in the day.  I saw the video first so it had a greater impact. Check the title on the album cover. So relevant today. This week’s Re-Release is Heal “Heal Yourself“.

“”Boasting Blastmaster KRS-1 as its executive producer, Civilization Vs. Technology is an all-star project that employs a who’s who of late 1980s and early 1990s rappers from the East Coast. L.L. Cool J,Public Enemy leader Chuck D, Run-D.M.C., Queen Latifah, Big Daddy Kane, Salt-N-Pepa, MC Lyte,Doug E. Fresh, Kool Moe Dee, and KRS himself are among the MCs featured on this very socio-political album. With an overall message of black pride and black unity (without a lot of separatist rhetoric, thankfully), this release encourages the black family to stay together. Ironically, the album’s emphasis on family mirrors, in some respects, the “family values” message that Dr. Laura Schlesinger and other GOP conservatives espoused in the 1990s — although it’s safe to say that few of the left-leaning participants would identify themselves as either conservatives or Republicans. Though hip-hop-oriented, the CD employs some major reggae artists, including Ziggy Marley and Shabba Ranks. Also, a prominent rocker, R.E.M.‘s Michael Stipe, is featured on the title song, which addresses environmental concerns. KRS’ H.E.A.L. project (Human Education Against Lies) turned out to be more of a critical success than a commercial one. Civilization Vs. Technology enjoyed rave reviews in the hip-hop press, but in terms of sales, it hardly rivaled the million-selling gangsta rap releases of the early 1990s. KRS probably didn’t find that surprising — he has stated in interviews that while intelligence can sell, it doesn’t sell as quickly or as easily as sex and violence. Although not as well-known as it should be, this is a CD that hip-hoppers should make a point of obtaining.” – Allmusic.com

One2FlowOn- “BATTLE RAP”

Check out my latest hip-hop commentary: BATTLE RAP

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One2FlowOn- “PE #1″

Check out my latest hip-hop commentary: PE #1

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Re-Release Tuesdays “Hate It Or Love It”

I wasn’t the biggest Game fan when he came out.  The name dropping was a problem for me.  This is your debut album and all you have to talk about are other rappers? I couldn’t deny the fact that some of the beats and songs were hot. I agree with the notion that he helped to bring that West Coast style of Hip-Hop back.  This week’s Re-Release is The Game ft. 50 Cent “Hate It or Love It“.

Once the Game surfaced as a force in hip-hop, a big deal was made of his dance with death. Apparently he was shot five times. If you’re scoring at home, that’s four times less than label mate and executive producer 50 Cent. After the altercation that nearly took his life, the Game took a crash course in hip-hop and studied up on the master MCs from both coasts. Within a year of rapping for the first time, Dr. Dre took notice and was compelled to offer an Aftermath contract. the Game is also from Compton, just like his mentor, so guess where the allegiances fall? An N.W.Amedallion hangs from his neck, an N.W.A logo is inked across his chest, and an image of the late Eazy-E is on his right forearm. If none of this makes it clear enough, the Game name drops beloved heroes — including just about everyone ever connected to N.W.A, save for CPO — with great frequency” – Allmusic.com

Re-Release Tuesdays “Wild Out”

This one is dedicated to Solange.  There is something to say about a person who has reached their breaking point. Lol! Seriously, this Lox record was the result of the group finally being released from the clutches of Bad Boy Records.  Though the album, as a whole, was hit and miss for me…it’s still a testament to the group’s hard edge rhymes.  This week’s Re-Release is the Lox’s “Wild Out“.

The LOX‘s highly publicized and drawn-out defection from Puffy‘s Bad Boy Records to DMX‘s Ruff Ryder camp was imperative. Not only because Puffy‘s glossy sound openly clashed with the group’s thug mentality, but the change of scenery also furnished JadakissSheek, and Styles with an opportunity to assert their own identity. While The LOX as a unit do not offer much in terms of topical dexterity, Jadakiss is one the industry’s most underappreciated lyricists, which he clearly reiterates on his solo cut “Blood Pressure.” Ruff Ryders in-house producer Swizz Beatz handles most of the production duties, and although his syncopated production can become repetitious, DJ Premier (“Recognize”) and Timbaland (“Ryde or Die Bitch,” featuring Eve and Drag-On) provide some much-needed diversity with their signature sounds. The rowdy lead single, “Wild Out,” is an obvious reworking of Jay-Z‘s “Jigga My Nigga,” but it was a hit on rap radio.” – Allmusic.com