Re-Release Tuesdays “1999″

rawkus

Honestly, there isn’t much I can say about this record. At a time when rap’s mainstream success was booming, Rawkus was keeping the True School alive with a rookie line-up that obliterates XXL’s list today.  This  week’s Re-Release is Common feat. Sadat X & Talib Kweli “1999“.

“Rawkus Records — the little hip-hop indie label that could — went through various major-label dealings over the years, eventually falling under the Geffen Records banner in 2005, in theory an unseemly partnership that did have one immediately positive outcome: a long-overdue best-of collection, Rawkus Records: Best of Decade I (1995-2005). If you’re relatively familiar with Rawkus, you might find the title curious — the “1995-2005″ part, that is — because for all means and purposes, the label became inactive once the ’90s came to a close. Without a doubt, the glory years of Rawkus were the late ’90s, back when the Soundbombing and Lyricist Lounge series were a cultural touchstone, back when Mos Def and Talib”  - Allmusic.com

Re-Release Tuesdays “Treat Em Right”

chubb rock

There was a time when hip-hop had to make you dance. Chubb Rock always came with the perfect dance tracks. He was also respected lyrically. One of my favorite hip-hop records, this week’s Re-Release is Chubb Rock’s “Treat Em Right“.

“If you’d asked a hypothetical leading hip-hop expert what the main difference between East Coast and West Coast rappers was in the early ’90s, he might have explained that the West was more interested in beats and grooves, while the Northeast was concerned with rapping technique. Well respected in New York rap circles, Chubb Rock had plenty of technique — something there’s no shortage of on The One. The album leaves no doubt that his rapping skills are first-rate, but technique only carries Rock so far. Although decent and at times exhilarating, The One isn’t a great album. Rock (who often incorporates dancehall reggae) is at his best on excellent message songs like “What’s the Word” and “The Night Scene,” an arresting description of the horrors that surround drugs. But his boasting raps wear thin after a while. Rock has the chops; it’s his lyrics that aren’t always memorable.”  - Allmusic.com

Re-Release Tuesdays “Undisputed”

ludacris

Listen. Ludacris is a criminally slept on emcee. Period. I know, I know. His antics on videos and tracks make him come off goofy but you can’t front on the lines. This is probably the only Ludacris album that “completely” backs up that statement. This week’s re-Release is Ludacris’s “Undisputed“.

Calling its guest vocalist co-stars and kicking-off with a “the movie’s about to begin” intro, LudacrisTheater of the Mind is dressed-up as some conceptual piece but this hodgepodge of high-gloss tracks just barely sticks together. While his previous effort, 2006′s Release Therapy, was much more the thematically tight album and deserved a concept, this loose set of tunes is all-together more entertaining, thanks in no small part to a highly inspired Luda and all the punch lines he lands. Most are unquotable jokes that sound nothing but filthy when taken out of context — especially the one about rappers so full of something they end up “rhyming in farts” — but the superstar team-up with T.I. called “Wish You Would” boasts about “So many shoes that my closet look like Finish Line” and brings other reminders of “Pimpin’ All Over the World” and its unashamed vision that wealth equals victory…”  - Allmusic.com

Re-Release Tuesdays “Tonight’s Da Night”

redman tonight's da night

For a long time Redman was my favorite rapper. Not only was he nice on the mic, he was crazy funny. I never knew what he was going to say. I never skipped a track as a result. Redman was always more than a “weed” rapper. The dude was (and still is) a dope lyricist.  This week’s Re-Release is Redman’s “Tonight’s Da Night“.

“Never quite a superstar, Redman was nonetheless one of the most off-the-wall, beloved, and enduring rappers of the ’90s and 2000s. BornReginald Noble in Newark, NJ, he made his initial impact on EPMD‘s 1990 album Business as Usual and stepped out as a solo artist with 1992′s Whut? Thee Album, one of the year’s best debuts, rap or otherwise. He blended reggae and funk influences with topical commentary and displayed a terse though fluid vocal style that was…”  - Allmusic.com

Re-Release Tuesdays “Silent Treatment”

the roots

This was my first introduction to the Legendary Roots Crew. We all know the “silent treatment”. I thought it was creative for The Roots to craft a song based on this annoying trend in relationships. I also really dug the idea of a live band providing a “jazzy” soundtrack of sorts. They certainly weren’t the 1st hip-hop band but they carry the torch well.  This week’s Re-Release is The Roots “Silent Treatment“.

“Because the Roots were pioneering a new style during the early ’90s, the band was forced to draw its own blueprints for its major-label debut album. It’s not surprising then, that Do You Want More?!!!??! sounds more like a document of old-school hip-hop than contemporary rap. The album is based on loose grooves and laid-back improvisation, and where most hip-hoppers use samples to draw songs together and provide a chorus, the Roots just keep on jamming. The problem is that the Roots‘ jams begin to take the place of true songs, leaving most tracks with only that groove to speak for them. The notable exceptions — “Mellow My Man” and “Datskat,” among others — use different strategies to command attention: the sounds of a human beatbox , the great keyboard work of Scott Storch, and contributions from several jazz players (trombonist Joshua Roseman, saxophonist Steve Coleman and vocalist Cassandra Wilson). By the close of the album, those tracks are what the listener remembers, not the lightweight grooves.”  - Allmusic.com

Re-Release Tuesdays “Music”

erick sermon

I am a huge Marvin Gaye fan. Erick Sermon is one of the dopest producers of all time. You couldn’t ask for a better union. I was actually surprised by the success of this song. It came out at a time where there wasn’t anything remotely similar on the air waves. Truth be told, the Marvin Gaye samples make this record. That’s fine by me. Classic single! This week’s Re-Release is Erick Sermon & Marvin Gaye’s “Music“.

“Perhaps because EPMD is so ingrained into listeners’ psyches, Erick Sermon has never been given a fair shake as a solo artist. While he has exerted every bit of his energy to carve out his own separate identity outside of the EPMD spectrum, it has really been to no avail. That is why the breakout hit “Music” could not have appeared at a more needed time for Sermon. After innocently fiddling around with some old, unreleased Marvin Gaye lyrics, Sermon ended up fashioning a perfect marriage of sampling with “Music,” which ultimately spawned a renewed interest in the Green Eyed Bandit and led to his…”  - Allmusic.com

Re-Release Tuesdays “All Glocks Down’”

heather b.takin mine

This is hardcore hip-hop with a message….and wait… a female emcee. There are ladies out there today on this level but you got to search. Heather B. was just dope. Period. The type of  emcee that could provoke fear in dudes. It’s non-existence in mainstream hip-hop today. This week’s Re-Release is Heather  B.’s “All Glocks Down“.

“Best known as a member of the original MTV Real World cast, rapperHeather B. began as a part-time performer with KRS-One‘s Boogie Down Productions when she added vocals to the group’s Sex and Violence album. After appearing on Real World, Heather recorded a single for Elektra Records, “I Get Wreck,” and pressed her own copies of another single, “All Glocks Down,” that was eventually released by Pendulum Records.”  - Allmusic.com

Re-Release Tuesdays “Jeeps, Lex Coupes,Bimaz & Benz’”

the lost boyz

Unfortunately, The Lost Boyz tend to get lost in hip-hop history. Every time I hear an old school mix on the radio and they play this track I say, “Oh sh*t!” The Lost Boyz had a ton of hits between their 1st two albums. Here is the record that set it off for them.  This week’s Re-Release is The Lost Boyz “Jeeps, Lex Coupes, Bimaz & Benz“.

“Legal Drug Money covers the same themes that many other hip-hop artists were covering in the mid-’90s. The Lost Boyz rap about getting high, being rich, and other topics typical of the genre. The best track on this album is easily “Renee,” a song about a woman who fell in love with an MC but gets killed. Smif-n-Wessun’s Dah Shinin and Heltah Skeltah’s Nocturnal are similar in style to Legal Drug Money.”  - Allmusic.com

Re-Release Tuesdays “Soul on Ice’”

ras kass

Talk about a dude who, in my book, is tragically underrated. Maybe his rhymes required too much thought from it’s listeners.  …And that is just sad. When you hear a dude like Kendrick Lamar, the appreciation for Ras Kass should be higher. He definitely represented the west coast well; from a lyrical skill perspective. This week’s Re-Release is Ras Kass’s “Soul on Ice“.

“Rapper Ras Kass was born John Austin in Watts, CA; a voracious reader throughout his youth, he adopted his stage name in honor of the African king Ras Rass. After releasing a pair of independent singles, Ras Kass emerged as one of the most highly regarded new rappers in some time, winning particular acclaim for his skills as a lyricist (in the space of six months, he twice earned Rap Pages magazine’s Rhyme of the Month award as well as The Source’s Hip Hop Quotable honor); his long-awaited debut LP, Soul on Ice, finally appeared on Priority Records in 1996. Rasassination followed two years later.”  - Allmusic.com

Re-Release Tuesdays “Ak Ha Ha’”

akinyele

I really thought Akinyele was going to be bigger than he turned out to be. I guess his style was gimmick when he dropped, and east coast rap was on the verge of a major evolution (i.e. Nas, Wu-Tang, Biggie). With all of that said, he still had some dope records. This week’s Re-Release is Akinyele’s “Ak Ha Ha“.

“Gangsta-funk rapper Akinyele (aka Akinyele Adams) followed the obscenity-laced recordings of 2 Live Crew with his own homage to sex on his 1993 debut, Vagina Diner. Recorded for Interscope, it was followed a year later by Bomb. After moving to Zoo Records, Akinyelefound an underground radio hit with the title track from his 1996 EP,Put It in Your MouthAktapuss: The Soundtrack followed in 1999.”  - Allmusic.com