Re-Release Tuesdays “Heal Yourself”

In a time of need, we used to come together to make a statement. Using our popularity and fame to bring awareness to issues that affected our community.  In other words, it didn’t begin and end with songs like Self-Destruction.  Here’s a song that I dug back in the day.  I saw the video first so it had a greater impact. Check the title on the album cover. So relevant today. This week’s Re-Release is Heal “Heal Yourself“.

“”Boasting Blastmaster KRS-1 as its executive producer, Civilization Vs. Technology is an all-star project that employs a who’s who of late 1980s and early 1990s rappers from the East Coast. L.L. Cool J,Public Enemy leader Chuck D, Run-D.M.C., Queen Latifah, Big Daddy Kane, Salt-N-Pepa, MC Lyte,Doug E. Fresh, Kool Moe Dee, and KRS himself are among the MCs featured on this very socio-political album. With an overall message of black pride and black unity (without a lot of separatist rhetoric, thankfully), this release encourages the black family to stay together. Ironically, the album’s emphasis on family mirrors, in some respects, the “family values” message that Dr. Laura Schlesinger and other GOP conservatives espoused in the 1990s — although it’s safe to say that few of the left-leaning participants would identify themselves as either conservatives or Republicans. Though hip-hop-oriented, the CD employs some major reggae artists, including Ziggy Marley and Shabba Ranks. Also, a prominent rocker, R.E.M.‘s Michael Stipe, is featured on the title song, which addresses environmental concerns. KRS’ H.E.A.L. project (Human Education Against Lies) turned out to be more of a critical success than a commercial one. Civilization Vs. Technology enjoyed rave reviews in the hip-hop press, but in terms of sales, it hardly rivaled the million-selling gangsta rap releases of the early 1990s. KRS probably didn’t find that surprising — he has stated in interviews that while intelligence can sell, it doesn’t sell as quickly or as easily as sex and violence. Although not as well-known as it should be, this is a CD that hip-hoppers should make a point of obtaining.” – Allmusic.com

One2FlowOn- “BATTLE RAP”

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SPECIAL DELIVERY: HOT NINE SEVEN

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The writing is on the wall for Hot 97. The funny part? I’ve said this for a while. I live in the Tri-State area and I rarely listen to Hot 97 or its competition. It’s not because it’s all bad. It’s just because I love sports and I like riding to ESPN.

When I do Tune in, I’m easily turned off by the content, the lack of radio broadcasting etiquette, and the same songs from the same artist. Don’t get me started on the almost 10 minutes (maybe more) of commercials. Some would say that I am not the demographic for their content. To that I say, stop calling yourself the home for Hip-Hop and R&B.

I’m a big fan of both genres and they are terribly represented. Some would say, well, what makes their competitors any different? I’d say, Hot 97 was here first. When Hot 97 first became that home for Hip-Hop and R&B, it was refreshing. A new station to represent a new generation. That being Generation X and Y.  Now it’s a radio station with no vision for the future.

When your hook for the morning show is the fact that it’s a White , a Black, and a Puerto Rican… Sh*t is already corny. When you talk about “real Hip-Hop” but you support “Hip-Pop” more than anything… Well… That’s just mixed messages that serve no one. We know it’s a business. Good business practice is to not contradict your mission statement.

What is that mission nowadays? Sh*t on Nicki Minaj for her lack of Hip-Hop but play her sh*t because you need to keep the lights on? Which one is it? We’re not mad if you go one way or another, just stand for something or STFU.

This is why the Chuck D Twitter rants, the Dame Dash attacks have so much weight to them. People see the contradiction. Most are turned off by it. Angie Martinez’s resigning, and then signing with your direct competitor is just another point being made. They need a management change, a new mission and direction. I used to love Hot Nine Seven, now I’m like, whatever. I don’t listen…

24 Years… 24 HOURS of Hip-Hop

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It’s not just 24 HOURS of Strictly Hip-Hop Music, it’s 24 HOURS of Hip-Hop Culture Personified.

Baltimore’s Strictly Hip-Hop has done something that a lot of Hip-Hop shows across the nation haven’t always been able to maintain… We have run for 24 Years straight. Unaltered and unfiltered. It is that long standing integrity that has kept the Hip-Hop fans in the Metropolitan area faithful and supportive. Now, with the assistance of a live stream, we present it to the world!

From its days with The Underground Experience, to the classic interview and shoutout on Wu-tang Clan’s Enter the 36 Chambers, to the numerous artists that have come through the studios of Morgan State University WEAA 88.9, WE ARE STILL HERE!

Strictly Hip-Hop is a landmark. We should be celebrated by many across the nation and the globe. Not because we claim to be the best, but because we prove it. We prove it with the pedigree of our deejays… Past and Present. We prove it with the awareness we bring to the culture as a whole. The lessons we’ve taught fans & up and coming artists about the music and the business.

The diversity we’ve shown with the staff over the years, and more importantly, how Strictly Hip-Hop Alumni have gone on to do greater things.

This Friday is your opportunity to experience that legacy in the form of a 24 HOUR BROADCAST! 24 YEARS AND COUNTING… TUNE IN STARTING AT MIDNIGHT FRIDAY’S JUNE 13TH, RIGHT HERE ON ITSSTRICTLY.COM OR LISTEN ON YOUR MOBILE DEVICE VIA THE TUNEIN APP. IT’S STRICTLY!

One2FlowOn- “PE #1″

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